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CD Reviews -  You can buy  CDs/DVDs reviewed by clicking the link on the album title or email   info@bluescdstore.com   or call 01296 634991 or visit; www.bluescdstore.com

 

 
Chris Farlowe Hotel Eingang

The album  kicks off  full steam  ahead with ‘Jealous Guy’, an upbeat blues with Farlowe adding his stamp from the start. Very quickly the pace slows down for the Delbert McClinton ballad “Don't Wanna Love You Anymore”. Then back up tempo for the blues standard ‘It Should Have Been Me’ with Miller Anderson playing a fitting guitar solo and Farlowe adding a little light hearted vocal. This isn’t an album of one pace and tempo and style changes throughout giving an eclectic cross section of  the blues. The constant is Chris Farlowe’s quality vocals which still shine through as the British vocal legend he is. The rockiest blues song on the album is Storm Warning’s ‘The Woman or the Blues’, and he flexes his vocal style to fit perfectly. The sound is augmented with horns, a little pedal steel guitar and harmonica on ‘That’s Why Lovers Have The Blues’. The last track is Chris Farlowe telling a live audience a true story set in the early 1960’s about when he first performed to Hamburg with a band. It’s all about Hotel Eingang. This is a really enjoyable album showing versatility and class. Chris Farlowe is back although he never really went away. 

   
   
   
Los Fabulocus Featuring Kid Ramos 

Alive and kicking from the start with the Cali Mex sound (west coast cousin of Tex Mex). The first  track, Educated Fool, features legendary guitarist Kid Ramos with a driving rhythm guitar and the trade mark accordion played by vocalist Jesus Cuecus. The band mix the present and past evoking memories of the 1950’s, e.g the ballad Crazy Baby and the Lloyd Price classic Just Because. Other numbers give you a feeling of holidays in the sun with the Mexican influence on Un Majado Sin Licencia and Como Un Perro. Stand out tracks are the intense Day By Day which rocks along  dual guitar and accordion lines and the instrumental Burning Chicken, with smoking guitar! Might not be blues as we know it but this is superbly good time and the title of the last track sums up the style - Mexico Americano. Let’s get some sun and party.           

   
Mannish Boys – Low Down Feelin’ 

17 tracks of real blues pleasure. Grammy nominated in the ‘Best Traditional Blues Category’, The Mannish Boys are a blues band based in Los Angeles, California and a made up of a pool of musicians but the core is comprised of Kid Ramos, Kirk Fletcher, Frank Goldwasser, Randy Chortkoff,  Ronnie James Weber, Tom Leavey and Richard Innes They play classic blues in West Coast, Texas and Chicago styles and the musicians on this CD consist of all-star veteran members of the West Coast blues scene including Little Sammy Davis, Fred Scribner, Junior Watson, Lynwood Slim, Al Blake and Fred Kaplan. There is nothing on this CD that hasn’t been done before, like Searchin’ Blues is very close to Robert Johnson’s Walkin’ Blues. Like many blues songs there are similarities to many others but this difference on this CD is that the songs are laid down so convincingly having everything that’s great about traditional blues - it’s a melting pot of traditional blues. There’s some spot on trad harp from Little Sammy Davis and a mix of electric bass and thumping upright. If you like today’s straight down the line traditional blues you’ll want this CD. Highly recommended.

   
Phantom Blues Band - Footprints

All new material in a savory blend of Gospel, R&B, Soul, Funk, Reggae, Jazz and Blues. From the opening the horns lift off on Look At Granny Run and with the slightly more traditional style Se See Baby, incorporating a fine sax solo from Joe Sublet. Leave Home Girl and Fried Chicken are funky grooves and Your Heartaches Are Over is a soulful ballad. Unlike some blues albums this is not drenched in guitar solos and an array of instruments take to the fore including some funky keyboards from Jon Cleary. Guitars, horns and as good as it gets blues grooves.

   

Derrin Nauendorf - Skin Of The Earth

Derrin Nauendorf plays the UK blues clubs and festivals but a blues CD this is not. However it is a CD of excellent singer songwriter material and acoustic guitar playing, which has some blues influences in there somewhere. Derrin produces a confident vocal with depth and clarity. On many of the tracks, Derrin’s songs are complemented by Mike Hellier on drums and Rick Foot double bass. From the opening title track ‘Skin of the Earth with its’ hypnotic groove, through to the last track, an all acoustic instrumental ‘Sometime’, there’s a quality  that could lead Derrin to becoming a big name  of the folk/roots/singer songwriter scene.The CD is varied in tempo and acoustic style.Tracks ‘Michelle’ and ‘Push The River’ are uplifting and in a commercial vein whereas the only cover on the album, Bob Dylan’s ‘Most Of The Time’ is a slow ballad.If you like acoustic music and good songs and want a change from full on electric guitar soloing, you’ll love this album.
Derrin Nauendorf : Skin Of The Earth
   
Roadhouse – Sea of Souls

After several albums and line ups, Roadhouse are back with a new album. As always guitarist/vocalist Gary Boner with rhythm section Bill Hobley bass and Roger Hunt drums hold it all together and now they have three female vocalists and a new guitarist, Danny Gwilym. Roadhouse has always been a rock band giving a nod to the blues and this CD is no exception with the new guitarist keeping it on the rock side. However this doesn’t mean that those into blues /rock won’t enjoy it as it’s guitar rock, which is definitely blues influenced. The opening and title track ‘Sea Of Souls’ lays down the foundation for the album with a glimpse of what’s to come –  catchy song, showing off female backing vocals and some full on guitar.

This is followed by ‘Lights On The Water’, a laid back affair with an atmospheric feel which then picks up into a Fleetwood Mac vibe circa Tusk. ‘The Answer’ and ‘Voodoo Dance’ evoke 70’s  rock with ‘Voodoo Dance’ starting with  a Bo Diddley type drum pattern and then picking up into a straight rocker. The ‘Lying Game’ and ‘Tumbling Down’ show the bluesier side of the band and ‘Dark River’ opens with a folky/country style vocal. The one cover on the CD is ‘House Of The Rising Sun’ and Roadhouse produce a superb version with excellent raunchy female vocal and electrifying guitar rocking it up. Throughout the album Gary Boner’s guitar and vocal is a mainstay and augmented by some fiery lead guitar work courtesy of Danny Gwilym. The female vocals, backing and lead, are sounding better than ever and play a big part on this album’s sound.  This is probably the best Roadhouse CD to date and will know doubt be a hit with their ever increasing following and will definitely earn them new friends.  

   
Toby Walker – Hand Picked 

This CD is very new and only available in the UK at Blues CD Store at present. If you are familiar with Toby Walker you’ll know to expect high class acoustic blues playing. This studio album contains many of the songs played on his recent UK tour and several of the tracks are complemented by Jay Ungar on fiddle and Molly Mason on upright bass. The opening track is Toby Walker’s ‘Big Meat Shakin’ On The Bone’ an excellent up tempo stomp with some great fiddle playing reminiscent of Hot Tuna and Papa John Creach.This is followed by a traditional song arranged by Toby called ‘Your Buggy Don’t Ride Like Mine’, full of innuendos. There’s an instrumental version of the Hank Williams tune ‘Hey Good Looking’ with exchanges of solos between acoustic lead guitar and fiddle and a superb version of ‘Mind Your Own Business’ with some more fine lead acoustic playing whilst Toby keeps a thumping beat with his thumb on the bass strings of the acoustic.

Toby says, “His band in his hand”. Apart from the up tempo, finger picking and humorous songs, there are also some beautiful tracks; ‘Leon’s Little Girl’, ‘The Secret’ and Skip James’s ‘Hard Times Killing Floor’ with Martha Trachtenberg on backing vocals – so sad and haunting but wonderful. There are 15 tracks on this CD and not a weak one amongst them. If you were lucky enough to see him on tour in the UK you’ll want this CD. If you didn’t see him, even more reason to buy it.

TOBY WALKER: Hand Picked
   
Dani Wilde - Heal My Blues  

This is the debut CD from one of the UK’s brightest young female blues guitarist/vocalists. She is an accomplished guitarist but what really hits you is the strength of her vocal and at only 21 years old, this could just be the beginning of an astounding future in the blues. Guests Ian Parker and his keyboard player Morg Morgan, contribute some fine guitar and organ respectively. 

The opening track, ‘Bring Your Loving Home’, is a strong opener and supplemented with Ian Parker taking the guitar solo. Dani’s voice from the off, is confident and powerful and she takes her voice to another level on the second track, ‘Heal My Blues’. The CD is guitar based blues with nearly as much harp, courtesy of Dani’s brother Will, as guitar but the CD still has a fresh feel. Dynamics are used to good effect and no more evident than on the slow ballad  ‘I Love You More Than I Hate Myself’. Back to up tempo with  ‘I Want Your Lovin’ and once again featuring Ian Parker and some nice underlying organ from Morg Morgan. There are some good original songs on this album and ‘Testify’ is as good as any. There are also some covers; Junior Wells song ‘Little By Little’ with a soaring harp solo and Dani turns to acoustic guitar for a version of John Lee Hooker’s ‘In The Mood’. Acoustic guitar is also used on ‘Slow Coach’ and ‘People Like You’. This an extremely good album, especially as a debut and if Dani Wilde is part of the future of British Blues, then we have no worries.

   
BluesMix - Bidding My Time

BluesMix are four London based musicians who produce quality blues, mixing blues with a little soul, funk and jazz. ‘Feel So Strong’ is a shuffle which from the start shows the talents of these fine musicians including multi instrumentalist Bob Morgan playing keyboards and sax on this first track. The club feel on  ‘Got My Eye On You’ is very funky and once again the sax shines on this number.

The band show diversity on the slow soulful, jazzy ballad ‘All Gone’ but bring back the funky feel on ‘Do You Know Me’ which weaves in and out of the blues. The remaining 6 tracks are of equal quality and style and you feel the sound of this excellent CD would translate onto the club circuit. I get the feeling, it would be a real treat to see these musicians perform live.

   

Buddy Whittington solo CD

There are good CDs, there are excellent CDs in either, style, songs, playing etc. and then there are CDs of quality throughout.  Whether or not you like the songs or style there’s no denying Buddy Whittington’s first solo CD oozing quality and class. In the blues/rock vein, this CD proves you don’t have to be a full on guitar hero type to produce the goods.  The CD starts with ‘Young & Dumb’, a lively number with a nice riff and slide guitar.

The lead guitar lines are a little ZZ Topish in places without being heavy. ‘Pay The Band’ is a slower number grinding along and once again some fine guitar work from Buddy. This song, like several on the album, has lyrics on the humorous side. Another example is ‘Second Banana’, an obvious reference to playing sideman, as Buddy has done with John Mayall for the last 15 years and the clever lyrics in ‘Every Goodbye Ain’t Gone’, a little funky number with Buddy’s voice at full strength. In fact unlike many sidemen that produce a CD and feel they have to do the vocals, Buddy has a great voice and this makes CD even more of an enjoyable listen. We don’t give marks out of 10 but if we did it would have to be a 9.

   

Chris Barber Presents The Blues Legacy ‘Lost & Found’ Series

Volume 1 includes: Sonny Terry & Brownie McGhee - Sister Rosetta Tharpe

Volume 2 includes: Muddy Waters - Otis Spann - Champion Jack Dupree

Volume 3 includes: Sonny Boy Williamson - Jimmy Witherspoon - Howlin Wolf  - Hubert Sumlin

This series of three volumes is a superb document of some of the earliest recordings from US blues artists playing in the UK. Chris Barber and his band, a bluesman court up in a jazz band, backs an array of artists from Howlin’ Wolf  to Muddy Waters,  Jimmy Witherspoon to Sister Rosetta Tharpe and Sonny Terry & Brownie McGhee to Louis Jordan.

Also making appearances are Otis Spann, Champion Jack Dupree, Hubert Sumlin, Ottilie Patterson, Ronnie Scott and Humphrey Lyttelton. There are some interesting introductions by Chris Barber setting the scene and although the sound is sometimes more New Orleans than Chicago, there is no doubt that these recordings are a piece of British ‘Live’ Blues history. Coupled with detailed liner notes and pictures, this makes this series a must have, if you are a serious blues collector.

However, The Chris Barber Band did not back the blues artists on all of the tracks. For example, on Volume 1, Sonny Terry & Brownie McGhee play 12 tracks on their own and this is an absolute peach of its time. On this same CD, Sister Rosetta Tharpe plays solo on several tracks with her haunting strong vocal. On Volume 2 Muddy Waters plays with Otis Spann, playing some of his ‘hits’, for example ‘Hoochie Coochie Man’ and ‘Baby Please Don’t Go’. Also on this CD Champion Jack Dupree makes an appearance on three tracks and as Record Collector says about ‘Mother-In-Law Blues’, “brilliantly mischievous”.

Volume 3 features Sonny Boy Williamson with a jazzy version of ‘Help Me’ and on ‘C-Jam Blues’, the blues harp interacts with the horns and it works well. This volume also features Jimmy Witherspoon with his powerful vocals commanding a version of ‘Everyday I Have The Blues’ and there’s a fine trombone solo on the slow blues ‘When I’ve Been Drinking’. One of the many highlights on this volume is Howlin Wolf with his menacing big man vocal and ‘Dust My Broom’ with authentic guitar lines played by Hubert Sumlin.

The recordings are from various live gigs including the Free Trade Hall Manchester in the late 1950s and early 60s and some studio recordings.  The sound quality varies but considering how some of the recordings were originally made, the results are remarkable and full of character. Record Collector recently gave the series a maximum 5 stars and you can’t argue with that.

   
Storm Warning - Something Real 
 
Distinctive blues rockers Storm Warning are carving out a solid reputation on the UK and European blues circuits. Something Real, the band’s second studio set, builds on the ambitious and fresh approach established on Breaking Out, revealing influences ranging from classic blues, to ZZ Top, Gary Moore and even Pink Floyd. Son Maxwell’s harmonica roots the music firmly in the blues, while drummer Roger Willis and bassman Derek White lend a rock-conscious power to the mix. Bob Moore’s inventive guitar and Ian Salisbury’s sensitive and subtle keyboards complete the band’s dynamic sound.
 
The eight original tracks include ‘On The Road’ with it’s atmospheric beginning and Pink Floyd style slide guitar; the rocky ‘Hard To Be A Man’; ‘Charlie’s Blues’ with Latin feel, strong harmonica/guitar riff and subtle harmonica solo; and the epic title track, think Gary Moore blues ballad with a touch more class and a little jazz influence in the guitar. All these and the remaining original tracks, demonstrates the critically acclaimed strength of the band’s songwriting. The one featured cover is a dramatic take on Lucky Peterson’s ‘Nothing But Smoke’. A welcome new offering from a band committed to carrying the blues into exciting new territory.

 

   

Larry Miller - Outlaw Blues

For those of you who know Larry Miller, you have a good idea of what to expect but   those of you who are new to his music and like guitar driven blues rock, you will not be disappointed. The opening track ‘Shame On You’ starts with a solo guitar riff as if  played through a small speaker but wait for it! Out of nowhere comes the band and full on guitar announcing in musical terms this is Larry Miller. This first track is a Strat infused rocker. There’s no let up on the second track ‘Writing’s On The Wall’, apart for the solo guitar and vocal intro. Another foot stompin’ blues rocker but this number steps up the game, with some impressive lead guitar.

But hey, Larry Miller has a soft side to him. ‘Calling All The Angels’ is a slow number with picking guitar and then welcome Matt Empson on the organ. Eventually drums come in with a lazy feel giving Larry the chance to play subtle guitar with feeling and vibrato. Track four Rebekah, is another good foot tappin’ rocking number followed by Storm Comin’, a Hoochie Coochie style riff with slide guitar and keyboard player Matt Empson taking to the blues harp.

The most unpredictable song on the CD is Professor Casanova which although relatively poppy, is catchy and a good song. You can hear several influences in Larry Miller’s playing and song writing from the Rolling Stones on ‘Only One Woman I Want’ to ZZ Top on the wonderful title track ‘Outlaw Blues’. Just when you thought this album will rock out to the end comes ‘Blues Forever’, a slow blues ballad which Larry gives his best vocal performance and once again plays some nice guitar with feeling. Larry Miller is often associated with the passion and the style of Rory Gallagher. He is obviously a big influence and maybe fitting that the last track is an acoustic slide guitar blues called Klondike which would be perfect in a Rory Gallagher set.

This is a well made album of great blues rocking with versatility. Larry Miller has a good band behind him and the addition of keyboards and harmonica embellishes the songs. He is already a popular figure on the live circuit and this album, probably his best to date, can only increase his following and standing. Rock on Larry!   

   

The Blues Experience with Cash McCall – The Vintage Room 

This CD has the legacy of Willie Dixon behind it as ‘The Vintage Room’ features Alex Dixon, the grandson of Willie. Alex not only plays piano on the CD but also wrote some of the songs and produced the album. The sleeve notes say Alex Dixon thanks his grandfather for teaching him the formula to create blues and this is evident in the final product, a most enjoyable blues CD. Steeped in tradition and the Chicago side of the blues, this CD has feel.

From the opening track ‘Helluva Time’ Cash McCall’s wonderful vocals are rich in the blues and a constant throughout the album along with his traditional blues style of guitar. No over cooked solos just interspersed guitar lines fitting the moment. Another strong feature of the CD is the harmonica playing by Steve Bell which plays a big part on the opening track and with particular strong solos on ‘Slice of Pie’ and ‘Catch Me Before I Go’.

How could the grandson of Willie Dixon not pay homage to his grandfather and here you will find good versions of ‘I Just Wanna Make Love To You’, ‘Bring It On Home’ and ‘I’m Ready’. From track 8 ‘Mama’, the feel of the CD changes with the introduction of upright bass courtesy of Dylan Cooper and drummer Vinnie Threats preferring the brushes. Although a lighter feel is produced this is by no way detrimental to the CD and shows the band can play both styles well. A customer who bought this CD emailed to say ‘Cash McCall CD is a killer!’. Sounds like a good recommendation.

   

Fred Chapellier & Friends – A Tribute To Roy Buchanan

Roy Buchanan is one of those guitarists that probably never got the recognition he deserved. French guitarist Fred Chapellier was convinced by his incredible guitar skills from an early age and thus has been a big influence on his playing. The CD fuses some great blues guitar work with songs by Roy Bucanhan, Fred Chappelier and other blues standards. Not many could make a telecaster sing the way Roy Buchanan did.

For this tribute Fred Chapellier explores the guitar legend’s repertoire with the help of some ace musicians.  These include Billy Price, former vocalist with The Buchanan Band and Tom Principato, one of Roy’s jamming buddies plus US guitarist Neal Black.  Jean Alain Roussel, producer of Roy's final album, played keyboards and was in charge of production A sizzling set with blistering guitar solos and some gentler moments that will get accolades from Roy Buchanan buffs of all continents. If you have never listened to Roy Buchanan, here is a good place to start and then work back through Roy’s catalogue of CDs to hear what made Fred Chapellier say  “ The sound of a guitar that grabbed my soul and pieced my heart like nothing I had ever heard before.”

   

Buck 69 – When She Whispers Your Name

Like Bob Seger meeting Jonny Lang in a juke joint to talk about Eric Clapton. A father and son blues rock band mixing together the old and the new with a bang. With three members over the age of 45 and 5 members under the age of 30, Buck69 is influenced by more than three generations of music.

The use of lead and rhythm guitar is done to a classic drumbeat and vocals that rock the house. This band is there for the music and it's that transparency that makes them uniquely refreshing. If you like to dance, sing and shout, I have a feeling that Buck69 is for you. I danced around my office when I was checking this band out, I could hardly imagine how much fun it would be to see them live. I highly recommend this band to anyone who enjoys rock or blues. Very impressive licks mixed in with a great drumbeat that makes a groove you can't help but listen to. – Guitar Tips

   

Johnny Rawls -  Rockin’ In Rockland  DVD & CD

This is the 2nd Juke Joint Video DVD which Blues CD Store is exclusively selling in the UK. This DVD also has a CD in the package which features all the DVD tracks except one and an extra track on the CD that is not on the DVD. The DVD is shot at the Time Out Pub, Rockland, Maine USA with a no frills approach, just the club atmosphere and the music interspersed with interviews with Johnny Rawls. Johnny Rawls, originally from Mississippi, is probably a new name to most people in the UK although he did record a CD for UK label  JSP records in 1996 called ‘Here We Go’. Rawls began his career playing behind some of the biggest names in the south eventually working with his idol O.V. Wright.  Johnny Rawls plays soul blues and O.V Wright’s influence is evident.

The DVD opens up with the up beat ‘Watcha Wanna Do’ and then on to ‘You Gotta Change’, a blues with a little soul influence. Johnny Rawls has a laid back style playing cool lead guitar with nice relaxed licks. As the DVD progresses through ‘Feel So Good’ about his home town of Purvis near Hattiesburg, the mood becomes more soulful blues with his best extended guitar work on ‘I Want You Back’.  All songs on this DVD and CD are written by Johnny Rawls and the soulful quality of his voice is a real constant on this DVD with ‘Lucky Man’ being one of the best tracks. The DVD finishes with the more up tempo ‘Give It To Me’. The 74 minute DVD has several clips of interviews with Johnny Rawls and you get a feel of the man who is a real working musician and happy playing around 300 gigs a year keeping the blues alive.

   
Derrin Nauendorf - 'The Rattling Wheel'

Austarlian Derrin Nauendorf, has produce a cd of quality songs in the area of  folk/contemporary singer songwriter/acoustic blues influenced music. Although Derrin plays blues clubs in the UK, don't expect blues on this album. However, if you appreciate well crafted acoustic based music, this cd could be for you.

From the opening song 'Universe Demands', the whole feel is uplifting and happy, folky and catchy with a strong acoustic riff. The second track is 'Shipwrecked' with Derrin's great vocals showing feeling and commitment to his music. With this track as with others the double bass slides nicely up and down the fingerboard. 'I  Won't Turn My Back' has an Eric Bibb style about it which is followed by the very folky  'Where Two Men Go Tonight' and the upbeat Queensland. Derrin is a very talented acoustic player and this shows on many of the tracks and especially 'My Hurricane' which builds with some frantic, excellent guitar playing and the wonderful 'Long Road Home'.

It says in the liner notes written by Derrin Neauendorf ,"This was the easiest and most relaxed studio recording I have ever been involved in" and this does come across and sounds like Derrin and the band  enjoyed it. Maybe he should be aiming more at the in vogue contemporary singer/songwriter market and he just could be a big star.

RattlingWheelCD_WEB
   
Mitch Woods - Big Easy Boogie' - CD Review

The latest album by one of the real masters of boogie and rock n roll. Pianist and vocalist Mitch Woods, brings together on this album original Fats Domino band members and those who have played with Little Richard, Sam Cooke, Ray Charles, Richie Valens, Eddie Cochran and Everly Brothers. All the tracks are Mitch Woods originals and as authentic rock n roll and boogie New Orleans style as you can get.

The album features a bonus DVD and the cd features a cast of special guests including Maria Muldaur, John Mooney, and Charmaine Neville. If you've never been to Mississippi to experience the blues, just buy this top notch album.

   

Walter Trout and Friends  -  Full Circle

Full Circle features friends and guests playing the songs live in the studio and Walter has tried to get a little of his live performance in to this CD. This album shows his passion for playing is as live in the studio, as when he’s on tour.

Full Circle opens with a slow blues ‘She Takes More Than She Gives’ which features Walter’s former band leader John Mayall on harmonica and sharing some of the vocals. Walter Trout from the beginning stamps his mark with  great trademark guitar soloing. This is followed by ‘Workin’ Overtime’ which has a Hendrix-esque type feel to it and some lovely guitar from Jeff Healey. Walter Trout gives space in the songs for his guests to shine but he’s never far behind with some dazzling and competitive solos.

The album isn’t  all full on Trout all the way through and the electric guitar gives way to the acoustic guitar on ‘Firehouse Mama’ with Eric Sardinas and stand up bass is featured on a couple of tracks. Even a jazzy feel is apparent on After Hours featuring Deacon Jones,  “one of the best Hammond B3 players on the planet” - quoting from Walter’s sleeve notes.

However the feature, apart from the guests, of this album is full ‘going for it’ guitar solos which will please Walter’s many fans even though not all of the solos are Mr Trout himself. The songs in themselves are not particularly remarkable but the playing is from the top drawer and compensates one hundred per cent. The stand out tracks for me are Luther Allison’s ‘When Will It Ever Change’ featuring Bernard Allison, ‘Wrapped Around Your Finger’ with Guitar Shorty and ‘Clouds On The Horizon’ where full on blues/rock guitar hero’s Walter Trout and the young Joe Bonamassa go head to head.

It’s all about the passion and Full Cirlce brings you guitar based blues/ rock ecstasy.

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